A Co-production by the NCPA and Opéra National de Bordeaux Mozart 's Die Zauberflöte莫扎特歌剧《魔笛》
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Mozart’s immortal opera Die Zauberflöte is a co‑production by the National Centre for the Performing Arts and Opéra National de Bordeaux. This cross‑border artistic collaboration brings together fantastical fairy‑tale plots, witty dramatic twists and gorgeous arias, offering audiences an immersive classical opera experience.
莫扎特不朽歌剧《魔笛》,由国家大剧院与法国波尔多国家歌剧院联合制作。跨越国界的艺术携手,将充满奇幻色彩的童话故事、诙谐灵动的戏剧情节与华美动人的咏叹调相融,为观众带来一场沉浸式的古典歌剧体验。

Venue name: NCPA Theatre
Show Date:
演出日期:
2026.11.24, Tuesday(周二), 19:00
2026.11.25, Wednesday(周三), 19:00
2026.11.26, Thursday(周四), 19:00
2026.11.27, Friday(周五), 19:00
2026.11.28, Saturday(周六), 19:00
2026.11.29, Sunday(周日), 19:00
Original Price:280, 380, 480, 680, 880, 1080
原价:280, 380, 480, 680, 880, 1080
Discount Price:270, 370, 470, 660, 860, 1050
折后价:270, 370, 470, 660, 860, 1050
Package ticket: 1216(680*2); 1722(680*3);1556 (880*2); 2202(880*3)
套票:1216(680*2); 1722(680*3);1556 (880*2); 2202(880*3)
Address: NCPA, No. 2 West Chang'an Avenue, Xicheng District, Beijing
剧场地址: 北京市西城区西长安街2号
Seat Map
座位图

About the Show
演出介绍

Die Zauberflötewas the last opera Mozart composed. It is not only one of his most outstanding works, but also a milestone in German-language opera. Written in 1791, the final year of Mozart's life, it drew on his immense creative passion even though he was living in poverty and plagued by illness at the time. Mozart was deeply fond of the work himself, and was still imagining its performance just hours before his death. Its libretto fuses fairy tale, myth, and Enlightenment thought — a fusion that has given rise to interpretive controversies that persist to this day. For example, Sarastro, who represents “light,” and the Queen of the Night, who represents “darkness”, do not embody a simple good-versus-evil binary; the tension between the music and the text is intricate, inviting scholars to explore a range of readings of the work's central ideas.
As an opera, the work contains a large amount of German dialogue. Mozart creatively combines the solemnity of Italian opera seria, the unpretentiousness of German folk song, and the agility of comedy, producing an extraordinarily rich musical language. The score includes many celebrated, much-loved set pieces — such as the Queen of the Night's dazzling coloratura aria “Der Hölle Rache kocht in meinem Herzen” (Hell’s vengeance boils in my heart), Papageno's cheerful folk-style “Der Vogelfänger bin ich ja” (The birdcatcher am I indeed), and Tamino's exquisite lyric arias — all of which display Mozart's melodic genius in full. Mozart makes extensive use of duets, trios, and even quintets, which are not only pleasing to the ear but also serve as a core means of advancing the plot and portraying the characters' personalities and their complex psychological conflicts.
The charm of Die Zauberflötelies in its incomparable inclusiveness and complexity. It is at once a fairy tale about love, trial, and growth and an allegory rich in symbolism and philosophical reflection. Both children and adults can find enjoyment and food for thought on different levels, which is why it remains one of the most frequently performed operas in the world.
Creatives
Conductor: LÜ Jia
Director: Julien Duval
Choreographer: Elsa Moulineau
Set Designer: Olivier Thomas
Costume Designer: Aude Désigaux
Lighting Designer: Anna Tubiana
Chorus Master: JIAO Miao
Cast
Tamino: Cameron Becker, WANG Chuan
Pamina: Mojca Erdmann, ZHANG Meigui
Papageno: Rafael Fingerlos, ZHOU Zhengzhong
Sarastro: Igor Durlovski, CHEN Peixin
Monostatos: Dietmar Kerschbaum, KOU Jing ●
Papagena: ZHANG Wenqin●
Speaker/ First priest: DENG Chao
First lady: FAN Xueyan
Second lady: ZHANG Yajie
Third lady: WANG Hongyao
Second priest: ZHANG Liangrui
First armoured man: SUN Feiyi▲
Second armoured man: YAN Sinan
●NCPA Resident Opera Singer
▲NCPA Chorus Member
《魔笛》是莫扎特创作的最后一部歌剧,它不仅是其最杰出的作品之一,也是德语歌剧的里程碑。这部作品创作于1791年,是莫扎特生命的最后一年。尽管当时生活窘迫、疾病缠身,他仍投入了极高的创作热情。莫扎特本人十分钟爱此剧,甚至在临终前几个小时还在想象它的演出。它的脚本融合了童话、神话与启蒙思想,这种融合也带来了持续至今的解读争议——例如,剧中代表“光明”的萨拉斯特罗与代表“黑暗”的夜后,其善恶形象并非简单的二元对立,音乐与文本间存在复杂张力,引发学者对作品核心思想的多种探讨。
作为“歌剧”,它包含大量德语对白。莫扎特创造性地融合了意大利正歌剧的庄严、德国民谣的质朴、喜剧的灵动,使得音乐语言极为丰富。剧中包含许多脍炙人口的经典唱段,例如夜后炫技的花腔咏叹调《复仇的火焰在我心中燃烧》、帕帕盖诺欢快的民谣《我是一个快乐的捕鸟人》,以及塔米诺优美的抒情咏叹调,这些作品全面展现了莫扎特的旋律天才。莫扎特运用了大量的二重唱、三重唱乃至五重唱,不仅悦耳动听,更是推动剧情、展现人物性格与复杂心理冲突的核心手段。
《魔笛》的魅力在于其无与伦比的包容性与复杂性。它既是一个关于爱情、试炼与成长的童话,也是一部充满象征与哲思的寓言。无论是儿童还是成人,都能从不同的层面获得享受与思考,这使其成为全球上演率最高的歌剧之一。
主创
指挥:吕嘉
导演:朱利安·杜瓦尔
编舞:艾尔莎·穆利诺
舞美设计:奥利维耶·托马斯
服装设计:奥德·德西戈
灯光设计:安娜·图比亚纳
合唱指挥:焦淼
演员
塔米诺:卡梅伦·贝克尔、王川
帕米娜:莫伊卡·埃德曼、张玫瑰
帕帕盖诺:拉斐尔·芬格洛斯、周正中
夜后:达娜埃·孔托拉、格洛丽亚·特罗内尔
萨拉斯特罗:伊戈尔·杜尔洛夫斯基、陈佩鑫
*以上内容(包括演出时间、阵容、节目及演出票价等)可能变更,以最终演出为准,仅供参考。
Synopsis
剧情介绍

Prince Tamino is attacked by a giant serpent in the forest and loses consciousness. He is rescued by three ladies serving the Queen of the Night. They show Tamino a portrait of the Queen’s daughter, Pamina, and he falls instantly in love with her. The Queen of the Night falsely claims that Pamina has been kidnapped by the “evil” High Priest Sarastro and promises Tamino that, if he rescues her daughter, Pamina will become his wife. She orders the bird-catcher Papageno to accompany him. The three ladies give Tamino a magic flute and Papageno a set of enchanted silver bells.
Tamino and Papageno set off separately in search of Pamina. Papageno finds her first and uses the magic bells to confuse and drive away Monostatos, one of Sarastro’s men. The two escape together, but are soon captured again by Monostatos. Meanwhile, guided by three mysterious spirits—messengers from the realm of Light—Tamino arrives at three temples representing Wisdom and Light: Reason, Nature, and Wisdom. There, he learns that Sarastro is not the evil man he was led to believe.
At last, Tamino and Pamina meet and fall deeply in love. They are then brought by Sarastro’s attendants to the temple, where they must undergo a series of purification trials. In the solemn temple, Sarastro reveals the truth: he took Pamina away to protect her from the influence of the Queen of the Night, whose world is consumed by darkness, and to guide her toward the Light.
Sarastro declares that if Tamino wishes to unite with Pamina and join the realm of Light, he must pass a series of trials—including trials of silence, water, and fire—to prove his courage, wisdom, and virtue. Tamino accepts without hesitation. Protected by the magic flute and supported by Pamina, he successfully endures every difficult trial.
The most crucial is the Trial of Silence. At one point, Tamino’s refusal to speak to Pamina breaks her heart. But when the misunderstanding is finally resolved, their love emerges stronger than ever.
Papageno, meanwhile, is determined to find a partner of his own. He fails the Trial of Silence, but with the help of the enchanted bells, he ultimately gets his wish and finds his beloved Papagena, bringing a comic touch to the story.
The Queen of the Night and her accomplice Monostatos attempt to destroy the temple, but are defeated by Sarastro and the forces of Light, disappearing into darkness amid thunder. Tamino and Pamina are finally united in the Light. Sarastro declares that they have successfully completed their trials and welcomes them into the realm of Light. All join in celebrating the eternal triumph of wisdom, virtue, and love.
Presenter
演出团体
NCPA Resident Singers
国家大剧院歌剧演员队

Founded in October 2011, the NCPA Resident Singers have established themselves as an essential pillar of opera at the National Centre for the Performing Arts (NCPA) and across the country, bringing together exceptional vocal talents from China and beyond. Over the past decade, they have honed their craft with unwavering dedication. Driven by a deep passion for opera and a profound respect for the stage, they have risen to the forefront of the operatic field as one of the most accomplished and representative ensembles in China today.
The NCPA Resident Singers have been at the heart of over 70 NCPA productions—from original Chinese works to international classics—showcasing their artistry on stages both at home and abroad alongside some of the world’s finest artists. They have also become one of the most extensively and deeply engaged opera ensembles in China, working with world-class conductors, directors, singers, stage artists, and renowned theatres and arts institutions, and are among the few nationwide to have embraced an internationally oriented, professionally managed operating model.
United by a relentless pursuit of artistic excellence and an enterprising spirit, they have performed in Italian, French, German, Russian, Czech, and other languages, presenting many works on the Chinese stage for the first time—Richard Strauss’s Der Rosenkavalier (The Knight of the Rose), Wagner’s Lohengrinand Die Meistersinger von Nürnberg, Verdi’s Simon Boccanegra, Puccini’s La fanciulla del West, Rossini’s L’italiana in Algeri, and Dvořák’s Rusalka. In co-productions with internationally acclaimed theatres, including the Metropolitan Opera, the Royal Opera House, the Mariinsky Theatre, the Staatsoper Unter den Linden, and the Polish National Opera, the NCPA Resident Singers have earned high praise from their international peers—a testament to the strength of Chinese operas on the world stage.
Staying true to their mission and original aspiration, they give voice to Chinese stories song, championing original Chinese works and upholding the spirit of Chinese culture. They have taken leading roles in every NCPA opera commission, including The Long March, Rickshaw Boy, FANG Zhimin, and The Dawns Here Are Quiet. Tours of these Chinese operas have also taken them to Turin, Milan, Genoa, Florence, Parma, Saint Petersburg, Moscow, Shanghai, Guangzhou, Nanjing, Wuhan, Nanchang, Ürümqi, Hotan, and among other cities.
The NCPA Resident Singers have lived up to their responsibilities, participating in numerous national-level artistic performances and international cultural exchange events, honouring their commitment to the nation’s cultural and historic mission in the new era. They shone at multiple major national events: The Eternal Promiseat the Belt and Road Forum for International Cooperation Gala; Strive, Sons and Daughters of China, the Gala Celebrating the 70thAnniversary of the Founding of the PRC; and The Great Journey, the Gala Celebrating the 100thAnniversary of the Founding of the CPC.
In addition to their operatic performances, they have also dedicated themselves to creating a diverse range of themed concerts, interpreting classic operatic repertoire through concert formats while exploring new possibilities for the broader dissemination of opera. Through performances, lectures, and other engagement activities, they connected with audiences beyond the opera house, reaching schools, communities, and workplaces across the country. Singing for the people, they have become a vital link in the “drip irrigation” initiative, making high-quality art more accessible and nurturing a broader audience for Chinese operas.
Unfaltering in voice, unyielding in duty, the NCPA Resident Singers stand as a living embodiment of the NCPA’s guiding principle—For the People, For the Art, and For the World. Grounded in the values of leadership, heritage, innovation, openness, and inclusivity, and drawing from the cultural spirit of the capital and the rich tapestry of Chinese tradition, they bring opera to the nation and engage the world through the universal language of art.
作为国家大剧院歌剧制作、乃至整个中国歌剧舞台上不可或缺的中坚力量,国家大剧院歌剧演员队汇聚海内外优秀歌剧人才,于2011年10月成立。十载精耕,寸积铢累,他们在专业上始终孜孜以求,怀揣着对歌剧艺术的热忱、对舞台的敬畏,逐步成长为汇聚海内外优秀歌剧人才、诠释歌剧艺术最具代表性的顶级队伍之一。
国家大剧院歌剧演员队在国家大剧院制作的70余部中国原创歌剧、世界经典剧目中始终发挥着重要作用。他们与世界范围内最出色的艺术家在国际和国内舞台上合作,成为国内与世界级指挥家、导演、歌唱家、舞台艺术家、世界知名剧院及艺术机构合作最多、最深入的歌剧表演艺术团体,也是为数不多引入国际化职业运作管理模式的演员团队。
他们精专业务,踔厉奋发,参演作品涵盖意大利语、法语、德语、俄语、捷克语等,其中不乏理查·施特劳斯歌剧《玫瑰骑士》、瓦格纳歌剧《罗恩格林》《纽伦堡的名歌手》、威尔第歌剧《西蒙·波卡涅拉》、普契尼歌剧《西部女郎》、罗西尼歌剧《意大利女郎在阿尔及尔》、德沃夏克歌剧《水仙女》等经典力作在中国的首次亮相。在国家大剧院与美国大都会歌剧院、英国皇家歌剧院、马林斯基剧院、柏林国家歌剧院、波兰华沙歌剧院等世界知名剧院联合制作剧目的合作中,演员们赢得了同行的高度评价,在世界剧院之林展现出中国歌剧的力量。
他们牢记使命,初心不改,给中国故事插上歌声的翅膀,以立中国原创作品之质、扬中国文化精神之旗为己任,在国家大剧院所有原创歌剧中担纲领衔,如《长征》《骆驼祥子》《方志敏》《这里的黎明静悄悄》等。他们的中国歌剧巡演地图履及都灵、米兰、热那亚、佛罗伦萨、帕尔玛、圣彼得堡、莫斯科、香港、上海、广州、南京、武汉、南昌、乌鲁木齐、和田等地。
歌剧演员队不负重托,多次参与国家级文艺演出及对外文化交流活动,勤劬践行新时代文艺工作者的历史使命,包括 “一带一路”高峰论坛文艺晚会《千年之约》、庆祝中华人民共和国成立70周年文艺晚会《奋斗吧 中华儿女》、庆祝中国共产党成立100周年文艺演出《伟大征程》等。
在歌剧演出之余,他们还倾力打造各类主题音乐会,以音乐会的形式诠释歌剧经典唱段,挖潜多样传播歌剧艺术的可能。他们以演出、讲座等多种形式,积极深入学校、社区、各行业生产一线,为人民而歌,铸成了普及高雅艺术、培养中国歌剧观众“滴灌工程”的重要一环。
歌声不渝、使命至坚。国家大剧院歌剧演员队践诺着人民性、艺术性、国际性的宗旨,秉持引领、传承、创新、开放、包容的追求,在首都文化精神、中华优秀传统文化的感召下助力歌剧在中国的传播,以高雅艺术与世界对话。
China NCPA Chorus
国家大剧院合唱团 

China NCPA Chorus was established on December 8, 2009. It is the resident choir of the China National Performing Arts Center. As the professional artistic performing group that belongs to the highest palace of performing arts, the chorus adheres to the NCPA's guiding principle of "for the people, for art, for the world" and is recognized as a vigorous professional chorus with infinite potential.
As one of China's leading choruses both in the opera and concert, the NCPA Chorus has participated in more than 70 Chinese and foreign operas by NCPA such as Xishi, The Ballad of Canal, The Red Guards on Honghu Lake, Visitors on the Snow Mountain, The Red Guards on Honghu Lake, The Long March,The Daughter of the Party,Turandot, Carmen, La Traviata, Der Fliegende Holländer,andAida. The chorus has also planned and performed in many large-scale vocal works and theme concerts including Beethoven's Ninth Symphony, Mahler's Eighth Symphonies, Verdi's Requiem, and Concert to Commemorate the 110thAnniversary of HUANG Zi's Birth, the opera concerts such as William Tell, Don Juanand so on. By means of the concerts, the chorus have get high appraisals by the high artistic standard. The late conductor Lorin Maazel said, "It is a Chorus of passion"; conductor Daniel Oren, who was excited after rehearsal, said, "This is the chorus that has the best sound I have ever heard. Young as they are, they are better than many of the choruses in Europe"; conductor Antonio Pappano said, "This is a youthful and passionate chorus that has been well trained to sound wonderful and harmonious"; the world famous tenor Domingo once said, "I am honoured to cooperate with these gifted young artists".
In addition, they were invited to participate in Opening ceremony of the XXIV Winter Olympic Games music recording, The National Committee of the Chinese People's Political Consultative Conference New Year Tea Party Performance in 2024 and 2025 and other major national cultural activities, they have actively demonstrated their mission and responsibility.
The NCPA Chorus has made unremitting efforts and continuous pursuit in art, and has accumulated a series of representative songs with distinctive artistic style like Take the Lead, The Moon Rises above the Island and so on.They have commissioned the creation and adaptation of The Sky-like Alashan, Crescent Moon and other works have been loved and widely praised by the audience.
The journey of music is full of beauty and joy. The NCPA Chorus has gone through a glorious history of 17 years. The artists of the chorus devote their most vigorous and dynamic youth to the cause of opera and chorus. Looking forward to a new journey, the NCPA Chorus will continue to sing without forgetting the original heart!
国家大剧院合唱团成立于2009年12月8日,是中国国家表演艺术中心的驻院合唱团。作为中国最高表演艺术殿堂所属的专业文艺演出团体,合唱团秉承大剧院人民性、艺术性、国际性的宗旨,被公认为是一支充满朝气及无限潜能的专业合唱团。
作为中国最优秀的两栖合唱团,他们积极参演了国家大剧院制作的中外歌剧《西施》《运河谣》《洪湖赤卫队》《冰山上的来客》《方志敏》《长征》《图兰朵》《卡门》《茶花女》《漂泊的荷兰人》《阿依达》等七十余部作品,以及许多大型声乐作品及主题音乐会,包括《贝多芬第九交响曲》《马勒第八交响曲》威尔第《安魂曲》《纪念黄自诞辰110周年音乐会》,以及歌剧音乐会《威廉·退尔》《唐·璜》等,艺术水准广获赞誉。已故指挥家洛林·马泽尔表示“这是一个充满激情的合唱团”;指挥家丹尼尔·欧伦排练后兴奋地表示“这是我见过的声音最棒的合唱团,虽然他们很年轻,但比很多欧洲的合唱团都要好”;指挥家安东尼奥·帕帕诺认为“这个合唱团是一个朝气蓬勃,充满热情的合唱团,他们有着美妙的,和谐的声音,而且训练有素”;世界著名男高音多明戈曾说“能和这些才华横溢的青年艺术家们合作,是我的荣幸”。
此外,他们受邀参与了《第二十四届冬季奥林匹克运动会开幕式》音乐录制,2024、2025年《全国政协新年茶话会文艺演出》等众多国家级重大文化活动,并活跃在大国外交前线,曾到访意大利、俄罗斯、阿曼、沙特阿拉伯等国家进行交流演出,同时承担了多次外宾接待演出任务,积极展现了使命与担当。
国家大剧院合唱团在艺术上不懈努力、不断追求,发展至今积累了一系列具有鲜明艺术风格的代表性曲目。《领航》《天耀中华》《百年荣光》等已成为脍炙人口的时代强音;由他们所演唱的《海岛冰轮初转腾》《在灿烂阳光下》《可爱的一朵玫瑰花》等经典合唱曲目在行业内被誉为具有引领与示范作用;他们积极探索,聚焦创新,先后委约创作和改编的《苍天般的阿拉善》《龙船调》《弯弯的月亮》等作品均受到观众的热爱和广泛称赞。
作为极具时代精神的歌唱使者,国家大剧院合唱团以传播高雅艺术和培养观众为己任,他们积极策划和参与周末音乐会、经典艺术讲堂等艺术普及活动,每年参与几十场国家大剧院公益演出,进学校、进社区、进企业、进军营、进医院,为高雅艺术的普及与传播,提高人们的审美情趣贡献自己的力量。
音乐的旅途中尽是美好与欢乐,国家大剧院合唱团已走过十七年的光辉历程,合唱团的艺术家们把人生中最有活力、最有张力的青春时光奉献给歌剧与合唱事业,展望新征程,国家大剧院合唱团将继续不忘初心,踏歌前行!
China NCPA Orchestra
音乐总监:吕嘉
桂冠指挥:陈佐湟
首席客座指挥:张弦

China NCPA Orchestra is the resident orchestra of the National Centre for the Performing Arts (NCPA), Beijing. Since its founding in 2010, the orchestra has fast established itself as one of the most adventurous and dynamic orchestras in the country and earned an international reputation through extensive performances abroad.
Numerous world-renowned artists have collaborated with the orchestra, including Lorin Maazel, Zubin Mehta, Valery Gergiev, Myung-Whun Chung, Christoph Eschenbach, Daniele Gatti, Fabio Luisi, Vladimir Ashkenazy, Leif Segerstam, Gunter Herbig, Shao-Chia Lu, ZHANG Xian, Rudolf Buchbinder, Stephen Kovacevich, Khatia Buniatishvili, Lang Lang, Yuja Wang, ZHANG Haochen, Víkingur Ólafsson, Kyung-Wha Chung, Vadim Repin, Siqing Lu, NING Feng, WANG Jian, Gautier Capucon, Alison Balsom, Sabine Meyer, Placido Domingo, Leo Nucci, Renee Fleming among many others. Lorin Maazel worked closely with the orchestra before his passing and praised the musicians for their “amazing professionalism and great passion in music”. Christoph Eschenbach also declared it as “one of the finest orchestras in Asia”.
Over the years, the orchestra has gained critical acclaim for its artistic excellence in both concerts and operas. To date they have played in over 70 NCPA opera productions, including classical repertoires such as Das Rheingold, Tristan and Isolde, Die Meistersinger von Nürnberg,Aida,Otello,Nabucco, Tosca, Turandot, The Marriage of Figaro,Don Giovanni, Eugene Onegin, andnewly commissioned works Rickshaw Boy,The Long March,Fang Zhimin,The Jinsha River,Visitors on the Snow MountainandThe Dawns Here Are Quiet.Their live recording of The Ring without Wordswith its creator, Lorin Maazel, was released on SONY Music worldwide, the only recording the great maestro ever made with an orchestra from China. In 2019, the orchestra’s recording of Beethoven's Symphony No. 9 was awarded "Best Orchestral Album" at the 2018 Chinese Audiophile Vinyl Award. In 2021, the NCPAO released Beethoven’s Egmontbecoming the first Chinese orchestra to record this masterpiece. In celebration of the decade tenure of its Music Director LÜ Jia, the orchestra released a selection of live recordings conducted by LÜ Jia in 2022. 2024 sees the NCPAO release the recordings of Bruckner’s complete numbered symphonies.
The orchestra has consistently offered creative and diverse programmes through its concert season. As part of its continuous efforts to promote contemporary music, the orchestra presented the China Premieres of major works by John Adams, Toru Takemitsu et al. and gave the World Premieres of dozens of substantial new orchestral works commissioned from composers across the globe, including Qigang Chen, ZHAO Jiping, Michael Gordon, Kalevi Aho, HUANG Ruo, Bright Sheng, Bernd Richard Deutch, et al. It has also played a significant role in the NCPA's Young Composers Programme, providing a unique platform nurturing the next generation of composers in China.
Alongside its concert series, the orchestra has received widespread praise for its international appearances at the Kissingen Summer Music Festival and the Schleswig-Holstein Musik Festival and concerts in many cities in Germany, as well as cities in Sydney, Singapore, Seoul, Daegu, Abu Dhabi, Taipei and Macao. In 2014, the orchestra undertook its first North American tour and returned in 2017, where it performed at Carnegie Hall, Chicago Symphony Center, Davies Symphony Hall and other major venues in the US and Canada, under the baton of LÜ Jia. Musical America praised its “joyful confidence and youthful strength”. Concerto Netdescribed it as “a polished, first rate ensemble”. In 2021, they appeared in "See Me: A Global Concert" along with world-wide artists, orchestras and choirs as part of the Opening Ceremony of the World Economic Forum’s Davos Agenda virtual event. In 2022, the orchestra recorded for the Opening Ceremony of the Beijing 2022 Winter Olympics, accompanying billions of viewers to witness the lighting of the Olympic flame. In April 2023, musicians from the orchestra visited South America performing joint concerts with Sao Paulo Symphony Orchestra in Brazil and Instituto Superior de Arte de Teatro Colon in Argentina.
In 2025, the orchestra, led by Myung-Whun Chung, completed its first multi-country European tour, performing at the Edinburgh International Festival, Santander International Festival, and Elbphilharmonie, receiving“immediate and unanimous (ovation)” (Bachtrack), and was hailed by the Hamburger Abendblatt as "cleanly and richly sonorous...The ambition of this orchestra was unmistakably great".
With its commitment to educational and outreach activities, the orchestra has presented a series of Weekend Matinee Concerts at its home venue, providing local audience specially selected programmes and accessible ticket prices. The orchestra also frequently initiates wide-reaching educational projects in association with educational institutions across the city. In 2020, the orchestra launched an online concert series drawing an average audience of 30 million viewers. In 2024, the Beijing Youth Orchestra, operated by the NCPAO, participated in World Orchestra Week and made its international debut at Carnegie Hall. April 2021 saw the orchestra complete their first six-city national tour, which Music Weeklypraised as "a series of sophisticated programmes in concerts that blew the roof off,” followed by two national tours in March 2023 and March 2025.
In February 2012, LÜ Jia took up the post of Chief Conductor, succeeding CHEN Zuohuang, NCPA’s then Artistic Director of Music as well as a founder of the orchestra. In January 2017, LÜ Jia started serving as NCPA's Artistic Director of Music and the NCPA Orchestra's Music Director. Beginning in the 2025/26 season, ZHANG Xian assumes the role of Principal Guest Conductor. In 2025, LAI Jiajing was appointed as Resident Conductor.
国家大剧院管弦乐团始终以澎湃的热情与创新精神、不懈的奉献与精进品格,为最高品质的音乐演奏和传播而矢志不渝。凭其出色的国际视野、文化底蕴和艺术创想,他们成为享有崇高艺术威望的顶级乐团,也是北京及全中国音乐生活发展前行的卓越引领者。
乐团每年均以48周乐季呈现逾百场精彩演出,携手来自全球的大师级艺术家,为近20万观众创造了无数难忘的巅峰现场。他们对歌剧艺术在中国的发展有划时代的贡献,缔造了中国歌剧艺术的全新高度。
从国际委约,到支持青年作曲家,他们推动了众多世界级优秀新作的诞生,促进了当代音乐发展及中西音乐交流。吕嘉执棒的贝多芬《第九号交响曲》和《爱格蒙特》戏剧配乐、洛林·马泽尔执棒其改编的瓦格纳《无词指环》等唱片录音广受赞誉、屡次获奖。历时三年并在2024年完成的布鲁克纳全套交响曲演出和唱片灌制,是乐团发展和布鲁克纳在中国推广介绍的历史性事件。《留声机》杂志评价该套唱片:“极具情感表现力,音色灿烂而辉煌”,并将其收录“布鲁克纳第六号交响曲最佳录音指南”。
他们还积极投入艺术教育,使音乐之美融入生活、触手可及。2024年,乐团管理运行的北京青年交响乐团赴纽约参加“世界青年管弦乐团周”,在卡内基音乐厅登台演出。2020年起,乐团推出线上演出,场均浏览近3000万。他们还于2021年、2023年、2025年三度完成中国巡演;亮相达沃斯世界经济论坛开幕影片,并担纲2022年北京冬奥会开幕式音乐演奏和录制。作为文化使者,他们多次赴欧洲、美洲及亚洲巡演,是首支进入纽约卡内基音乐厅、芝加哥交响中心、旧金山戴维斯大厅、蒙特利尔交响大厅官方演出季的中国乐团,并登台爱丁堡艺术节、桑坦德国际艺术节、易北爱乐音乐厅等。
吕嘉于2012年接任陈佐湟,成为首席指挥,并于2017年担任音乐总监。2025/26乐季起,张弦任首席客座指挥。乐团现任驻团指挥为赖嘉静。
